Vizard
General Information
Name:Sadaharu Ibaraki
NickName: Sada
Age: 913
Gender: Male
Visual Age: 27
Ex-Squad: 7th Division
Ex-Rank: Captain
Appearance:
Sadaharu has always been a rather handsome chap. His face seems to be chiselled to follow some sort of geometric law, leaving all of his features to stand out giving perfect symmetry. His deep, dark brown eyes sink deep into an eternal pit of darkness, which give away no secrets. Amongst the Human crowd, Sadaharu seems to stand out from the rest. His dark red hair and medium height leaves him a head taller then most. On a number of occasions, enemies sent to recover the location of the Vizard have been able to easily spot Sadaharu.
Standing about 6 feet tall and having a broad, muscular, but lean build, most human women would say that Sadaharu is the very example of male beauty. His long, thick arms are covered with small scars from deflected sword blows, and Kido blasts. Along his back, running from his left shoulder to his right hip, is a thick, deep scar that, if had not been worked on by Retsu Unohana, would have left Sadaharu in a state unable to fight or even move. The scar seemed to pull the muscle and skin together, correcting his slightly bent posture, making him stand up straighter and no longer slouch, further making his muscular appearance emphasized.
After defecting from Soul Society, Sadaharu was unable to abandon his traditional Shinigami robes. His ties to them were to strong to simply through away. Instead, he has them stored with his other belongings within the large abandoned building he now calls home, waiting for the need for him to don them once again. Instead, he has adopted the human's style of fashion, finding a nice pair of grey faded jeans, along with a thick leather belt and large shiny buckle resembling a Tsuba. To cover his torso, he "Acquired" a white silken shirt with faded black pin stripes running vertically from collar to hem. Around his neck hangs the small rune that Sadaharu took with him upon exiting Soul Society. When needed, Sadaharu is able to use the small rune to exit his Gigai to enter into his Shinigami state. Covering his long slender feet are white and black designer sneakers that came into Sadaharu's possession just the same as all of his other clothes.
Overall, his physical appearance has been modified as time progressed to suit the human ideal. Trying his best to blend in with the rest of populous is what the Vizard has always aimed to do. One thing that he has not been able to adjust to is human footwear. Although he may wear the very latest and greatest designer shoes, they are, in his opinion, no where near as comfortable as the Shinigami's sandals. His normally graceful, light strides have been replaced with a sluggish, more deliberate style of walk that the human's have dubbed "Strutting". Although unintentional, Sadaharu's walk, style of dress, and mannerisms attract unwanted attention from human females.
Personality/Backround
Personality:
Sadaharu Ibaraki is your very own, spicy razza-ma-taz, Vizard firecracker. Sadaharu's battlefield expertise in formulating strategies makes him the perfect candidate to initiate the first attack. Although at some times, his personality can be a bit overpowering to be around for long periods of time, most around him slowly adjust. Absorbing the usually loud and happy character.
The determination shown by Sadaharu in times of extreme danger is extraordinary to say the very least. The hospitality, care and friendship shown by others is something that a person like Sadaharu does not take lightly, being prepared to fight to the death to save the people he cares for. The usual happy, go-lucky persona fades away, leaving a fuelled fighting machine ready to challenge anyone and anything that stands between himself and his comrades, and their goal.
On several occasions, Sadaharu’s attitude has gotten him into trouble. Although he is driven, one of his tendencies is to disappear and find a nice patch of grass or a roof top to lie on, and bask in the warm sun. His laziness and disregard for actual work is what really lets him down. His nagging conscience goes unheard and the lout is able to roam around care free. The occasional killing of a Hollow stupid enough to stray too close is always on the cards for someone like Sadaharu. But when home comes calling, he definitely is not one to ignore the word of his superiors.
When not being spoken to, or interacting with anything, Sadaharu's mind wonders. Daydreaming takes over, making his face go blank, like a dazed, sleepy child that has stayed up for too long. A slack jawed dumb look creeps over his features. It is quite common place for people to say that he is one of the dumbest, intelligent people that some have ever met, which has been exclaimed with a large measure of frustration by many before.
Since his hollowfication, there have been some minor changes to how Sadaharu thinks about his Hollow enemies. His opinion about Hollow's has always been different from most others. Ying and Yang occurs naturally in the universe. For there to be Shinigami, there must be Hollow, and vice versa. There was never any hate directed towards them. In his personal opinion, there is no good and no evil. There is balance that must be kept. He simply fights the Arrancar to maintain that balance. Any type of dislike aimed towards the Hollow kind has faded since his change in faction, his Exiling and his hollowfication.
Zanpakuto
Zanpakto Name: Tategami
Fighting Style: The thing that really sets Sadaharu Ibaraki apart is his quick wit and acrobatic fighting style. While fighting, He will not only try to out smart, over power and out match his opponent in speed, he will also try to his full ability to play on his opponents weaknesses and short comings. Making use of his trusty Wakizashi Zanpakuto, Sadaharu inflicts extremely fast swipes, jabs, stabs and slashes upon his target while displaying an array of high speed, acrobatic maneuvers.
Initially when Sadaharu was first introduced to the Shinigami Academy, he had poor skills in Zanjutsu and Kido, but excelled in Hado and Hoho. The long swords given to him to train with felt awkward and unbalanced, inhibiting Sadaharu's natural talent for Hado and Hoho. Picking up a Wakizashi, one of the side weapons, Sadaharu was able to excide almost all others in his Zanjutsu skills. But was never any good at Kido. Further on, he was able to intergrate his high speed, swordsmanship and affinity for hand to hand combat to create a style that had never yet been seen before in Soul Society.
Upon receiving his Zanpakuto, Sadaharu's skills proceded to further, mastering his ability to control his irregularly large amounts of Reiatsu. Eventually upon being accepted into his division, Sadaharu had finished his original fighting style. The style that would lead to his natural fighting ability. As his age grew, so did his power and tactionary skills. Eventually, Sadaharu was promoted to Fukutaicho and then to Taicho. For one hundred years, he studied battle strategies and when the time came for his Exile, the Captain had become a master taction and feared opponent. To say the least, the battle that ensued upon his Exile was more then your average bar fight.
The thing that is really noticeable about Sadaharu is the versatility of his Zanpakuto, and his particular choice of martial arts. Because of the high speed, flexibility and battle smarts of Sadaharu, he makes a mean opponent against large numbers of mid power level enemies. The confusing, lucid acrobatic movements make it difficult to place an attack, while also allowing Sadaharu to unleash a flurry of attacks upon multiple enemies from differing positions and directions. But, when it really comes down to the line, Sadaharu is a one on one fighter.
His real passion is to fight others of equal power or of a higher power. His usual aggressive, offensive style is replaced with a focus on playing on weaknesses and on counter attacks. He does not take on a defensive style, but a counter-offensive style. The mid-air acrobatics are replaced with more ground-based, low, swooping, spinning attacks. He uses the own enemies weight against him and tries to through off their centre of gravity. While doing his best to dodge the enemies attacks and avoid taking direct hits. And if things really do take a turn for the worst, Sadaharu always has his Garganta and Shunpo or Sonido to rely on for a speedy retreat.
Unreleased Zanpakuto
There aren't many short Zanpakuto users in the modern era. Most were either killed or have been lost in the reformation of Soul Society; mainly because most Shinigami prefer to use a long sword to put space between their opponents and themselves. One of these exceptions of course is Sadaharu Ibaraki. He is one of the only people to wield a single Wakizashi Zanpakuto; the small, light version of a Katana that is often used as a side arm. Where Sadaharu's Zanpakuto is different is in the fact that is heavier then normal and that blade is slightly wider from the back of the blade to the blade edge, making it like a small clever of sorts.
The base of the handle is covered with an engraved, open mouthed lion’s head that looks as if it's delivering a violent roar. It does not protrude very far, but is still a very dominant feature of the Zanpakuto. The ornament that is placed in the handle is that of a paw imprint that is a dark yellow mustard colour. The handle its self is wrapped with golden yellow leather that criss-cross over the entire handle length of about 9 inches. The handle runs into the hilt which again is unique.
The guard is a dark mustardy coloured metal like the paw imprint in the handle. The guard its self is in the shape of a rich, over lapping, messy lion's mane. The guard then continues and runs onto the deep blade which is of 18 inches in length. The blade is the normal steel colour and bears no abnormal markings. The sheath is made of wood and is covered with a thin layer of fine white leather, with thin golden straight lines that run mid way down the sheath in both directions. The small sword is strapped to Sadaharu's back via a yellow, silken rope, hanging the weapon in a Diagonal fashion running from his left shoulder to his right hip, following his scar.
Element: Reiatsu
Release Command: Nakigoe Isamashii, Tategami! (“Roar Valiantly! Tategami!”)
Shikai Look:The first level of release for the Zanpakuto often gives an idea of what is yet to come. Shikai is the partial release of the soul of one's Zanpakuto, and as such is indeed a reflection of users fighting style. Sadaharu Ibaraki's Shikai is to the very least, unique.
After uttering Tategami's release phrase, the air around Sadaharu ignites with a bright white-yellow light. Holding Tategami horizontally, in front of his body, pointing backwards out of his hand, the blade de-materializes. After a split second the light seems to condense around each of his wrists. Once the air as cleared of the light, the physical changes of Tategami become fully apparent. The blade has separated into two vambracers, with one blade protruding from the top of each. Each of the vambracers has a rough linen material underneath each, to protect from rubbing and to also cause a distraction. From each hangs one long ratty piece of yellow material that trails behind while striking, hoping to distract the eye of his opponents.
The actual shape of the vambrace is that of a crudely carved lion's head. On both of the wrists, the opened mouthed, roaring valiant lions head protrudes. The colour of the metal used is a ruddy yellow-bronze shade that is not often seen. Starting with the lion's mane that flows around the head and around each of the wrists, to the well shaped face; it is obvious that these weapons resemble the spirit that resides within the Zanpakuto. The face of the lion is what really captivates onlookers and expresses the very beauty and power of Tategami.
The blades that protrude out from the vambraces resemble tear drop like blades. They are about the same length as the sealed Zanpakuto blade, but are not modelled in the katana style. Each blade points forward with the direction of the hand, and appear to be about 20 inches in length, around about as long as the original unsealed Zanpakuto's blade length. The tear drop shape is slight but noticeable, following the edge of the blade, along the interior, is a small groove cut away to reduce the weight and allow for faster attacking manoeuvres. It also acts as a pooling area for Reiatsu before it is released during Sadaharu's abilities. The sharp edge could easily slice a man in two, with little effort involved at all.
Fine steel craftsmanship like this is only possible through the creation of a Zanpakuto.
Shikai Ability:
Raion Tsumi (Lion's Claw): The basic ability created by Sadaharu in his time as a seated officer while serving in the Soul Society ranks. Reiatsu is built up along the entire edge of his Zanpakuto, giving a faint blue glow that seems to emanate from the metal like a small flame. After a sufficient amount of Reiatsu is gathered, it is released all at once upon hitting a target. The result is a directed small scale explosion of Reiatsu, capable of tearing tissue and causing moderate flesh wounds. Can be used with either one or both blades. If the attack is Unable to be used, the energy becomes volatile and has to be allowed to dissipate.
Raion Sutoraiku (Lion Strike): Very similar to Raion Tsumi, this attack uses the same manner of Reiatsu based attack. Where this attack differs is that small interrupted bursts of Reiatsu is released upon multiple hits, each releasing bursts of Reiatsu with the aim of wearing down an opponents defence, or causing multiple, quick, powerful strikes. Most usually used in 3-5 hit combos in an acrobatic fashion. Energy is not released from the whole edge of the blade like Raion Tsumi, instead is released after the attack is landed, from the site of impact along the blade. Reiatsu is stored within the hollowed out part of the blades. If the attack is Unable to be used, the energy becomes volatile and has to be allowed to dissipate.
Raion sokuryoku (Lion Speed): This is a charged version of Shunpo. By adding two extra steps into each movement, Sadaharu is able move at an extremely fast rate. By gathering Reiatsu around his body, he exerts it through his feet giving a small booster effect, making a small yellow jet-stream of energy flow out from behind him. This is a passive active ability that slowly draws energy from Sadaharu.
Isamashii Otakebi (Valiant Roar): A short to mid ranged attack used for its knockback effect and deafening ability. Reiatsu is gathered in Sadaharu's chest and released all at once in a directed roar that is comparable to a sonic boom. It lasts for about 3 to 4 seconds and appears as a large rippling wave of air. Depending on the opponent, this attack can knock back an enemy quite a distance and even cause loss of hearing for a short moment. When used on an opponent considerably weaker to himself, this causes a 20 meter knock back and 3 post length loss of hearing. On an opponent weaker then him it causes a 15 meter knockback and 2 posts of deafness. On an opponent of similar strength it causes a 10 meter knockback and 1 post of deafness. On an opponent stronger then himself, it causes a 5 meter knockback and no loss of hearing. Has to hit the opponent to be effective, can be directed by moving the head but not steered specifically. Travels at the speed of sound. Travels in a cone shaped burst with a diameter of 1 meter within the first 5 meters of the attack. After 10 meters the diameter is 2 meters by 3/4 the prior effectiveness. At 15 meters all knockback effects are nullified and the ability to deafen an opponent is very weak.
Bankai Name: Hokoritakai Raion (“Lordly Lion”)
Bankai Look: Bankai, the second and ultimate release of one’s Zanpakuto. Each Bankai in its self is completely unique, and holds abilities that further each user’s power to its furthest limits. Sadaharu is one of the lucky few who have trained for the full ten years to achieve the strength to be able to control his powerful full release of his Zanpakuto, Tategami. Sadaharu's particular Bankai focuses around the use of his extreme speed and explosive abilities.
Upon uttering the word "Bankai", immense power is radiated from Sadaharu. A dark yellow aura seems to swallow the air around him, until eventually clearing to reveal the further additions to Sadaharu Shikai. Starting from head to toe, Sadaharu's features seem to have taken on a very feline like presence. His nose is slightly flatter to his face, his eyes are larger and his pupils have been replaced with cat like slits. His hair has grown longer and is spread out around his face like a huge red mane. And his teeth have grown to be more cat like.
His hands have become larger and his finger nails have grown into small, sharp claws. Following up his arms, thin, felt like hair has become visible, that is similar in colour to his thick mane of hair. These are the only real anatomical changes that Sadaharu appears to have received. Instead, his Zanpakuto's features have been amplified.
The small vambraces that are produced upon Shikai release have been replaced by longer, more detailed versions of the original. Instead of covering just the wrist area, these vambraces cover most of Sadaharu's forearm, and sit on top of a fine, yellow material that is thin, strong and very comfortable. The same concept from the Shikai applies, but instead of long dangly scraps of material hanging out the sides, there are two long and well designed strips of material that hang from either end of the vambrace; at the top near the hand and at the bottom near the elbow.
Even during the Shikai release, the vambraces were works of art. The lion's heads then looks extremely well crafted, but, in Bankai, they have been taken one step further. If they had any real colour on them, you would swear that each lion looks like it has been frozen in time. Every hair, wrinkle in the skin, tooth, gum, nose and whisker looks completely real. The only thing that is missing are the snarling eyes, which have been left out, instead there are small crevices that burrow deep into the metal. These life-like, snarling, metal lion's are what really captivates the eye of witnesses. This is quickly followed by large blades.
When I say large, I mean LARGE. Each blade is almost twice the length of the Shikai released blades. The length from the vambrace to tip stretches about 150cm. And, just like the Shikai, these weapons follow the same tear-drop shape. But instead of a subtle shape, these blades that are about 30cm wide at there widest point, have a very prominent tear-drop shape. These mammoth things strike fear into the small number of enemies that have had the privilege to see them. The groove that follows along the edge of the interior of the blade has as well been modified. It seems to make a wave effect towards the middle where it dips slightly deeper then the rest of the sword. This acts to reduce the overall weight and provide a pool for the Reiatsu to form.
Bankai Ability:
Shishi Haretsu (Lion Burst): A mid ranged attack made of Reiatsu and spirit particles. Sadaharu gathers Reiatsu in each blade, until each is filled to its maximum capacity, and is then released with high force. Both weapons are brought down at the same time in the shape of an "X". As the attack travels a few meters, it gathers a tail of spirit particles that travel in its wake. The attack travels in a straight line and cannot be controlled or directed once released. When the attack hits it target, the Reiatsu cuts deeply into the opponent and is then followed by the high speed Spirit Particles that were behind it. Effectively causing medium ranged damage from the wave of Reiatsu and from the shrapnel like Particles. Travels at the same speed as Cero.
Shishi Taibu Bakuha (Greater Lion Blast): The strongest attack in Sadaharu's arsenal. This is the ultimate version of Sadaharu's Raion Tsumi. Reiatsu is charged in one blade and is spiked with the dark energy from his Inner Hollow. The resulting attack unleashes a black and yellow fire like explosion upon contact with a target, causing a small area of devastation in a controlled blast facing away from Sadaharu. The attack effectively rips, cuts, shreds and tears everything within the area of effect, while causing severe Reiatsu inflicted burns. This attack is wearing and can only be used 3 times max while in Bankai before all of Sadaharu's energy runs out. If the attack is Unable to be used, the energy becomes volatile and has to be allowed to dissipate. Considering the extreme power of this attack, it needs to be used within a few moves for the attack to not either backfire or be less effective due to Reiatsu dissipation
Zanpakuto Spirit Manifestation: The true form of Tategami resembles a mighty Lion that is often represented in folk stories as the grand, wise and powerful majestic beast. The lion resides in a wide open savannah, covered with a green and gold grassy plain with large shade bearing trees and small twiggy shrubs. The grass sways in the light breeze and the sun beats down heavily upon everything, making the shimmering mirage like waves of air rise from the ground, giving the entire area a shimmering, mirror like feel. I’m sure if you actually bothered to look, the ground would run into the horizon and off the edge of the Earth.
Tategami is always found, posing very much like the Sphinx in Egypt, underneath the largest and oldest tree in the whole area. It wraps its self around and around and the branches grow up and out almost like the roots you'd expect to see running from its base. The large lion sits with its tail wrapped around its side. And, strangely enough, he’s not touched by a single fly. His massive paws are like medium sized boulders, adorned with claws two feet in length. His form is huge and muscular and is covered with a magnificent golden-white coat.
The head of Tategami is surrounded with a mane that is much like a bushy golden wreath. The whole lion seems to shine and he gives off an air of knowledge and power. His eyes are massive yellow windows that peer down from the shear height of the massive head that is held atop his body. The mighty lion speaks with a deep and rumbling voice that shakes the world around him. Everything stops as he talks and your whole attention is held by him.
On the number of occasions that Sadaharu has had an encounter with Tategami, this is the impression that we can gather: Tategami is unbelievably wise. He speaks with a sense of knowledge that is far beyond his years. The loud booming voice produced by the ferocious beast doesn't seem to form any words at all. It's just a deep, rumbling growl, purr, roar or hum. But because of the rich spiritual connection between the two, they seem to be able to communicate with a simple look, transverse through their thoughts so that there can be no secrets, and no misunderstandings. Tategami seems perfectly comfortable and at ease when he appears before Sadaharu. And when the time comes for the two to part, a nudge and a valiant roar is all it takes to force Sadaharu back into reality.
Tategami is a constant reminder of the valiant and honourable side of Sadaharu.
Mask Information
Hollow Name: Naimenteki Yakunan
Inner Hollow Manifestation: Naimenteki Yakunan, Sadaharu Ibarki’s inner hollow. The name was whispered in his ear at the moment at its birth within his soul. It literally translates to Inner Evil or Misfortune. His hollow stands for everything he fights against. His hollow is like a mirror image of himself in reverse colours. Its skin is pale, its eyes filled with hatred and malice. It’s Zanpakuto as dark as Raven’s feathers.
Mask Ability:
Cero
Description: High-powered energy blasts that can be fired from either the mouth or hand. Only Menos, Arrancar, and Vizard have so far been shown to use cero attacks, and it appears that stronger entities can use it more efficiently.
Garganta
Description: How Arrancar move to and from Hueco Mundo. It literally tears open the dimensional fabric separating the worlds, revealing a tunnel of whirling, torrential energy that must be focused and solidified to create a discernible pathway. When used, the technique opens the dimensional fabric like a door.
Sonido
Description: The Arrancar equivalent of the Shinigami flash steps; it allows the user to travel at incredibly high speeds for short distances. Use of sonido is punctuated by a brief static sound, in contrast to the "swish" sound used for flash steps.
Hollow Mask Appearance:
Close to the way in which Tsubasa calls upon his Bankai, his Vizard Mask appears in a similar way. When being called upon, Tsubasa crosses his released blades across his face, with the flat of the blades touching, so that he is able to conceal his face ever so slightly. After a split second, the light around Tsubasa's head seems to be bent in towards the area being blocked off by his weapons.
The bent light becomes dark and seems to emanate a yellow haze. It looks very similar to a black hole ripping a fabric in space. Once the mask is done forming, the air around it goes back to normal. And Tsubasa is able to move the blades away from his face once again.
Duration Cooldown: 8 Posts Length, 11 Post Cooldown.
Kido
Kido Type: N/A
Number: N/A
Effect: N/A
General Information
Name:Sadaharu Ibaraki
NickName: Sada
Age: 913
Gender: Male
Visual Age: 27
Ex-Squad: 7th Division
Ex-Rank: Captain
Appearance:
Sadaharu has always been a rather handsome chap. His face seems to be chiselled to follow some sort of geometric law, leaving all of his features to stand out giving perfect symmetry. His deep, dark brown eyes sink deep into an eternal pit of darkness, which give away no secrets. Amongst the Human crowd, Sadaharu seems to stand out from the rest. His dark red hair and medium height leaves him a head taller then most. On a number of occasions, enemies sent to recover the location of the Vizard have been able to easily spot Sadaharu.
Standing about 6 feet tall and having a broad, muscular, but lean build, most human women would say that Sadaharu is the very example of male beauty. His long, thick arms are covered with small scars from deflected sword blows, and Kido blasts. Along his back, running from his left shoulder to his right hip, is a thick, deep scar that, if had not been worked on by Retsu Unohana, would have left Sadaharu in a state unable to fight or even move. The scar seemed to pull the muscle and skin together, correcting his slightly bent posture, making him stand up straighter and no longer slouch, further making his muscular appearance emphasized.
After defecting from Soul Society, Sadaharu was unable to abandon his traditional Shinigami robes. His ties to them were to strong to simply through away. Instead, he has them stored with his other belongings within the large abandoned building he now calls home, waiting for the need for him to don them once again. Instead, he has adopted the human's style of fashion, finding a nice pair of grey faded jeans, along with a thick leather belt and large shiny buckle resembling a Tsuba. To cover his torso, he "Acquired" a white silken shirt with faded black pin stripes running vertically from collar to hem. Around his neck hangs the small rune that Sadaharu took with him upon exiting Soul Society. When needed, Sadaharu is able to use the small rune to exit his Gigai to enter into his Shinigami state. Covering his long slender feet are white and black designer sneakers that came into Sadaharu's possession just the same as all of his other clothes.
Overall, his physical appearance has been modified as time progressed to suit the human ideal. Trying his best to blend in with the rest of populous is what the Vizard has always aimed to do. One thing that he has not been able to adjust to is human footwear. Although he may wear the very latest and greatest designer shoes, they are, in his opinion, no where near as comfortable as the Shinigami's sandals. His normally graceful, light strides have been replaced with a sluggish, more deliberate style of walk that the human's have dubbed "Strutting". Although unintentional, Sadaharu's walk, style of dress, and mannerisms attract unwanted attention from human females.
Personality/Backround
Personality:
Sadaharu Ibaraki is your very own, spicy razza-ma-taz, Vizard firecracker. Sadaharu's battlefield expertise in formulating strategies makes him the perfect candidate to initiate the first attack. Although at some times, his personality can be a bit overpowering to be around for long periods of time, most around him slowly adjust. Absorbing the usually loud and happy character.
The determination shown by Sadaharu in times of extreme danger is extraordinary to say the very least. The hospitality, care and friendship shown by others is something that a person like Sadaharu does not take lightly, being prepared to fight to the death to save the people he cares for. The usual happy, go-lucky persona fades away, leaving a fuelled fighting machine ready to challenge anyone and anything that stands between himself and his comrades, and their goal.
On several occasions, Sadaharu’s attitude has gotten him into trouble. Although he is driven, one of his tendencies is to disappear and find a nice patch of grass or a roof top to lie on, and bask in the warm sun. His laziness and disregard for actual work is what really lets him down. His nagging conscience goes unheard and the lout is able to roam around care free. The occasional killing of a Hollow stupid enough to stray too close is always on the cards for someone like Sadaharu. But when home comes calling, he definitely is not one to ignore the word of his superiors.
When not being spoken to, or interacting with anything, Sadaharu's mind wonders. Daydreaming takes over, making his face go blank, like a dazed, sleepy child that has stayed up for too long. A slack jawed dumb look creeps over his features. It is quite common place for people to say that he is one of the dumbest, intelligent people that some have ever met, which has been exclaimed with a large measure of frustration by many before.
Since his hollowfication, there have been some minor changes to how Sadaharu thinks about his Hollow enemies. His opinion about Hollow's has always been different from most others. Ying and Yang occurs naturally in the universe. For there to be Shinigami, there must be Hollow, and vice versa. There was never any hate directed towards them. In his personal opinion, there is no good and no evil. There is balance that must be kept. He simply fights the Arrancar to maintain that balance. Any type of dislike aimed towards the Hollow kind has faded since his change in faction, his Exiling and his hollowfication.
Zanpakuto
Zanpakto Name: Tategami
Fighting Style: The thing that really sets Sadaharu Ibaraki apart is his quick wit and acrobatic fighting style. While fighting, He will not only try to out smart, over power and out match his opponent in speed, he will also try to his full ability to play on his opponents weaknesses and short comings. Making use of his trusty Wakizashi Zanpakuto, Sadaharu inflicts extremely fast swipes, jabs, stabs and slashes upon his target while displaying an array of high speed, acrobatic maneuvers.
Initially when Sadaharu was first introduced to the Shinigami Academy, he had poor skills in Zanjutsu and Kido, but excelled in Hado and Hoho. The long swords given to him to train with felt awkward and unbalanced, inhibiting Sadaharu's natural talent for Hado and Hoho. Picking up a Wakizashi, one of the side weapons, Sadaharu was able to excide almost all others in his Zanjutsu skills. But was never any good at Kido. Further on, he was able to intergrate his high speed, swordsmanship and affinity for hand to hand combat to create a style that had never yet been seen before in Soul Society.
Upon receiving his Zanpakuto, Sadaharu's skills proceded to further, mastering his ability to control his irregularly large amounts of Reiatsu. Eventually upon being accepted into his division, Sadaharu had finished his original fighting style. The style that would lead to his natural fighting ability. As his age grew, so did his power and tactionary skills. Eventually, Sadaharu was promoted to Fukutaicho and then to Taicho. For one hundred years, he studied battle strategies and when the time came for his Exile, the Captain had become a master taction and feared opponent. To say the least, the battle that ensued upon his Exile was more then your average bar fight.
The thing that is really noticeable about Sadaharu is the versatility of his Zanpakuto, and his particular choice of martial arts. Because of the high speed, flexibility and battle smarts of Sadaharu, he makes a mean opponent against large numbers of mid power level enemies. The confusing, lucid acrobatic movements make it difficult to place an attack, while also allowing Sadaharu to unleash a flurry of attacks upon multiple enemies from differing positions and directions. But, when it really comes down to the line, Sadaharu is a one on one fighter.
His real passion is to fight others of equal power or of a higher power. His usual aggressive, offensive style is replaced with a focus on playing on weaknesses and on counter attacks. He does not take on a defensive style, but a counter-offensive style. The mid-air acrobatics are replaced with more ground-based, low, swooping, spinning attacks. He uses the own enemies weight against him and tries to through off their centre of gravity. While doing his best to dodge the enemies attacks and avoid taking direct hits. And if things really do take a turn for the worst, Sadaharu always has his Garganta and Shunpo or Sonido to rely on for a speedy retreat.
Unreleased Zanpakuto
There aren't many short Zanpakuto users in the modern era. Most were either killed or have been lost in the reformation of Soul Society; mainly because most Shinigami prefer to use a long sword to put space between their opponents and themselves. One of these exceptions of course is Sadaharu Ibaraki. He is one of the only people to wield a single Wakizashi Zanpakuto; the small, light version of a Katana that is often used as a side arm. Where Sadaharu's Zanpakuto is different is in the fact that is heavier then normal and that blade is slightly wider from the back of the blade to the blade edge, making it like a small clever of sorts.
The base of the handle is covered with an engraved, open mouthed lion’s head that looks as if it's delivering a violent roar. It does not protrude very far, but is still a very dominant feature of the Zanpakuto. The ornament that is placed in the handle is that of a paw imprint that is a dark yellow mustard colour. The handle its self is wrapped with golden yellow leather that criss-cross over the entire handle length of about 9 inches. The handle runs into the hilt which again is unique.
The guard is a dark mustardy coloured metal like the paw imprint in the handle. The guard its self is in the shape of a rich, over lapping, messy lion's mane. The guard then continues and runs onto the deep blade which is of 18 inches in length. The blade is the normal steel colour and bears no abnormal markings. The sheath is made of wood and is covered with a thin layer of fine white leather, with thin golden straight lines that run mid way down the sheath in both directions. The small sword is strapped to Sadaharu's back via a yellow, silken rope, hanging the weapon in a Diagonal fashion running from his left shoulder to his right hip, following his scar.
Element: Reiatsu
Release Command: Nakigoe Isamashii, Tategami! (“Roar Valiantly! Tategami!”)
Shikai Look:The first level of release for the Zanpakuto often gives an idea of what is yet to come. Shikai is the partial release of the soul of one's Zanpakuto, and as such is indeed a reflection of users fighting style. Sadaharu Ibaraki's Shikai is to the very least, unique.
After uttering Tategami's release phrase, the air around Sadaharu ignites with a bright white-yellow light. Holding Tategami horizontally, in front of his body, pointing backwards out of his hand, the blade de-materializes. After a split second the light seems to condense around each of his wrists. Once the air as cleared of the light, the physical changes of Tategami become fully apparent. The blade has separated into two vambracers, with one blade protruding from the top of each. Each of the vambracers has a rough linen material underneath each, to protect from rubbing and to also cause a distraction. From each hangs one long ratty piece of yellow material that trails behind while striking, hoping to distract the eye of his opponents.
The actual shape of the vambrace is that of a crudely carved lion's head. On both of the wrists, the opened mouthed, roaring valiant lions head protrudes. The colour of the metal used is a ruddy yellow-bronze shade that is not often seen. Starting with the lion's mane that flows around the head and around each of the wrists, to the well shaped face; it is obvious that these weapons resemble the spirit that resides within the Zanpakuto. The face of the lion is what really captivates onlookers and expresses the very beauty and power of Tategami.
The blades that protrude out from the vambraces resemble tear drop like blades. They are about the same length as the sealed Zanpakuto blade, but are not modelled in the katana style. Each blade points forward with the direction of the hand, and appear to be about 20 inches in length, around about as long as the original unsealed Zanpakuto's blade length. The tear drop shape is slight but noticeable, following the edge of the blade, along the interior, is a small groove cut away to reduce the weight and allow for faster attacking manoeuvres. It also acts as a pooling area for Reiatsu before it is released during Sadaharu's abilities. The sharp edge could easily slice a man in two, with little effort involved at all.
Fine steel craftsmanship like this is only possible through the creation of a Zanpakuto.
Shikai Ability:
Raion Tsumi (Lion's Claw): The basic ability created by Sadaharu in his time as a seated officer while serving in the Soul Society ranks. Reiatsu is built up along the entire edge of his Zanpakuto, giving a faint blue glow that seems to emanate from the metal like a small flame. After a sufficient amount of Reiatsu is gathered, it is released all at once upon hitting a target. The result is a directed small scale explosion of Reiatsu, capable of tearing tissue and causing moderate flesh wounds. Can be used with either one or both blades. If the attack is Unable to be used, the energy becomes volatile and has to be allowed to dissipate.
Raion Sutoraiku (Lion Strike): Very similar to Raion Tsumi, this attack uses the same manner of Reiatsu based attack. Where this attack differs is that small interrupted bursts of Reiatsu is released upon multiple hits, each releasing bursts of Reiatsu with the aim of wearing down an opponents defence, or causing multiple, quick, powerful strikes. Most usually used in 3-5 hit combos in an acrobatic fashion. Energy is not released from the whole edge of the blade like Raion Tsumi, instead is released after the attack is landed, from the site of impact along the blade. Reiatsu is stored within the hollowed out part of the blades. If the attack is Unable to be used, the energy becomes volatile and has to be allowed to dissipate.
Raion sokuryoku (Lion Speed): This is a charged version of Shunpo. By adding two extra steps into each movement, Sadaharu is able move at an extremely fast rate. By gathering Reiatsu around his body, he exerts it through his feet giving a small booster effect, making a small yellow jet-stream of energy flow out from behind him. This is a passive active ability that slowly draws energy from Sadaharu.
Isamashii Otakebi (Valiant Roar): A short to mid ranged attack used for its knockback effect and deafening ability. Reiatsu is gathered in Sadaharu's chest and released all at once in a directed roar that is comparable to a sonic boom. It lasts for about 3 to 4 seconds and appears as a large rippling wave of air. Depending on the opponent, this attack can knock back an enemy quite a distance and even cause loss of hearing for a short moment. When used on an opponent considerably weaker to himself, this causes a 20 meter knock back and 3 post length loss of hearing. On an opponent weaker then him it causes a 15 meter knockback and 2 posts of deafness. On an opponent of similar strength it causes a 10 meter knockback and 1 post of deafness. On an opponent stronger then himself, it causes a 5 meter knockback and no loss of hearing. Has to hit the opponent to be effective, can be directed by moving the head but not steered specifically. Travels at the speed of sound. Travels in a cone shaped burst with a diameter of 1 meter within the first 5 meters of the attack. After 10 meters the diameter is 2 meters by 3/4 the prior effectiveness. At 15 meters all knockback effects are nullified and the ability to deafen an opponent is very weak.
Bankai Name: Hokoritakai Raion (“Lordly Lion”)
Bankai Look: Bankai, the second and ultimate release of one’s Zanpakuto. Each Bankai in its self is completely unique, and holds abilities that further each user’s power to its furthest limits. Sadaharu is one of the lucky few who have trained for the full ten years to achieve the strength to be able to control his powerful full release of his Zanpakuto, Tategami. Sadaharu's particular Bankai focuses around the use of his extreme speed and explosive abilities.
Upon uttering the word "Bankai", immense power is radiated from Sadaharu. A dark yellow aura seems to swallow the air around him, until eventually clearing to reveal the further additions to Sadaharu Shikai. Starting from head to toe, Sadaharu's features seem to have taken on a very feline like presence. His nose is slightly flatter to his face, his eyes are larger and his pupils have been replaced with cat like slits. His hair has grown longer and is spread out around his face like a huge red mane. And his teeth have grown to be more cat like.
His hands have become larger and his finger nails have grown into small, sharp claws. Following up his arms, thin, felt like hair has become visible, that is similar in colour to his thick mane of hair. These are the only real anatomical changes that Sadaharu appears to have received. Instead, his Zanpakuto's features have been amplified.
The small vambraces that are produced upon Shikai release have been replaced by longer, more detailed versions of the original. Instead of covering just the wrist area, these vambraces cover most of Sadaharu's forearm, and sit on top of a fine, yellow material that is thin, strong and very comfortable. The same concept from the Shikai applies, but instead of long dangly scraps of material hanging out the sides, there are two long and well designed strips of material that hang from either end of the vambrace; at the top near the hand and at the bottom near the elbow.
Even during the Shikai release, the vambraces were works of art. The lion's heads then looks extremely well crafted, but, in Bankai, they have been taken one step further. If they had any real colour on them, you would swear that each lion looks like it has been frozen in time. Every hair, wrinkle in the skin, tooth, gum, nose and whisker looks completely real. The only thing that is missing are the snarling eyes, which have been left out, instead there are small crevices that burrow deep into the metal. These life-like, snarling, metal lion's are what really captivates the eye of witnesses. This is quickly followed by large blades.
When I say large, I mean LARGE. Each blade is almost twice the length of the Shikai released blades. The length from the vambrace to tip stretches about 150cm. And, just like the Shikai, these weapons follow the same tear-drop shape. But instead of a subtle shape, these blades that are about 30cm wide at there widest point, have a very prominent tear-drop shape. These mammoth things strike fear into the small number of enemies that have had the privilege to see them. The groove that follows along the edge of the interior of the blade has as well been modified. It seems to make a wave effect towards the middle where it dips slightly deeper then the rest of the sword. This acts to reduce the overall weight and provide a pool for the Reiatsu to form.
Bankai Ability:
Shishi Haretsu (Lion Burst): A mid ranged attack made of Reiatsu and spirit particles. Sadaharu gathers Reiatsu in each blade, until each is filled to its maximum capacity, and is then released with high force. Both weapons are brought down at the same time in the shape of an "X". As the attack travels a few meters, it gathers a tail of spirit particles that travel in its wake. The attack travels in a straight line and cannot be controlled or directed once released. When the attack hits it target, the Reiatsu cuts deeply into the opponent and is then followed by the high speed Spirit Particles that were behind it. Effectively causing medium ranged damage from the wave of Reiatsu and from the shrapnel like Particles. Travels at the same speed as Cero.
Shishi Taibu Bakuha (Greater Lion Blast): The strongest attack in Sadaharu's arsenal. This is the ultimate version of Sadaharu's Raion Tsumi. Reiatsu is charged in one blade and is spiked with the dark energy from his Inner Hollow. The resulting attack unleashes a black and yellow fire like explosion upon contact with a target, causing a small area of devastation in a controlled blast facing away from Sadaharu. The attack effectively rips, cuts, shreds and tears everything within the area of effect, while causing severe Reiatsu inflicted burns. This attack is wearing and can only be used 3 times max while in Bankai before all of Sadaharu's energy runs out. If the attack is Unable to be used, the energy becomes volatile and has to be allowed to dissipate. Considering the extreme power of this attack, it needs to be used within a few moves for the attack to not either backfire or be less effective due to Reiatsu dissipation
Zanpakuto Spirit Manifestation: The true form of Tategami resembles a mighty Lion that is often represented in folk stories as the grand, wise and powerful majestic beast. The lion resides in a wide open savannah, covered with a green and gold grassy plain with large shade bearing trees and small twiggy shrubs. The grass sways in the light breeze and the sun beats down heavily upon everything, making the shimmering mirage like waves of air rise from the ground, giving the entire area a shimmering, mirror like feel. I’m sure if you actually bothered to look, the ground would run into the horizon and off the edge of the Earth.
Tategami is always found, posing very much like the Sphinx in Egypt, underneath the largest and oldest tree in the whole area. It wraps its self around and around and the branches grow up and out almost like the roots you'd expect to see running from its base. The large lion sits with its tail wrapped around its side. And, strangely enough, he’s not touched by a single fly. His massive paws are like medium sized boulders, adorned with claws two feet in length. His form is huge and muscular and is covered with a magnificent golden-white coat.
The head of Tategami is surrounded with a mane that is much like a bushy golden wreath. The whole lion seems to shine and he gives off an air of knowledge and power. His eyes are massive yellow windows that peer down from the shear height of the massive head that is held atop his body. The mighty lion speaks with a deep and rumbling voice that shakes the world around him. Everything stops as he talks and your whole attention is held by him.
On the number of occasions that Sadaharu has had an encounter with Tategami, this is the impression that we can gather: Tategami is unbelievably wise. He speaks with a sense of knowledge that is far beyond his years. The loud booming voice produced by the ferocious beast doesn't seem to form any words at all. It's just a deep, rumbling growl, purr, roar or hum. But because of the rich spiritual connection between the two, they seem to be able to communicate with a simple look, transverse through their thoughts so that there can be no secrets, and no misunderstandings. Tategami seems perfectly comfortable and at ease when he appears before Sadaharu. And when the time comes for the two to part, a nudge and a valiant roar is all it takes to force Sadaharu back into reality.
Tategami is a constant reminder of the valiant and honourable side of Sadaharu.
Mask Information
Hollow Name: Naimenteki Yakunan
Inner Hollow Manifestation: Naimenteki Yakunan, Sadaharu Ibarki’s inner hollow. The name was whispered in his ear at the moment at its birth within his soul. It literally translates to Inner Evil or Misfortune. His hollow stands for everything he fights against. His hollow is like a mirror image of himself in reverse colours. Its skin is pale, its eyes filled with hatred and malice. It’s Zanpakuto as dark as Raven’s feathers.
Mask Ability:
Cero
Description: High-powered energy blasts that can be fired from either the mouth or hand. Only Menos, Arrancar, and Vizard have so far been shown to use cero attacks, and it appears that stronger entities can use it more efficiently.
Garganta
Description: How Arrancar move to and from Hueco Mundo. It literally tears open the dimensional fabric separating the worlds, revealing a tunnel of whirling, torrential energy that must be focused and solidified to create a discernible pathway. When used, the technique opens the dimensional fabric like a door.
Sonido
Description: The Arrancar equivalent of the Shinigami flash steps; it allows the user to travel at incredibly high speeds for short distances. Use of sonido is punctuated by a brief static sound, in contrast to the "swish" sound used for flash steps.
Hollow Mask Appearance:
Close to the way in which Tsubasa calls upon his Bankai, his Vizard Mask appears in a similar way. When being called upon, Tsubasa crosses his released blades across his face, with the flat of the blades touching, so that he is able to conceal his face ever so slightly. After a split second, the light around Tsubasa's head seems to be bent in towards the area being blocked off by his weapons.
The bent light becomes dark and seems to emanate a yellow haze. It looks very similar to a black hole ripping a fabric in space. Once the mask is done forming, the air around it goes back to normal. And Tsubasa is able to move the blades away from his face once again.
Duration Cooldown: 8 Posts Length, 11 Post Cooldown.
Kido
Kido Type: N/A
Number: N/A
Effect: N/A
Fri May 17, 2013 12:32 pm by Uchiro Kamashi
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